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Electronic Media Review Volume 3 (2015)
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The Electronic Media Review, Vol. 3, 2015

Electronic Media Group

Papers presented at the Electronic Media Group session of the 41st AIC Annual Meeting, Indianapolis, Indiana, 2013, and the 42nd AIC Annual Meeting, San Francisco, California, 2014.

Jeffery Warda and Briana Feston-Brunet, Managing Editors

Edited by Helen Bailey, Briana Feston-Brunet, Karen Pavelka, and Jeffrey Warda

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TABLE OF CONTENTS

Preface . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . vi

Papers presented at the Electronic Media Group Session, AIC 41st Annual Meeting, May 29–June 1, 2013, Indianapolis, Indiana

Let’s Talk Digital: An Approach to Managing, Storing, and Preserving Time-Based Media Art Works

ALEX COOPER AND ISABEL MEYER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1

Future, or How to Survive Forever

ANNET DEKKER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3

A Hands-Off Approach to Controlling Media-Based Artworks

BRAD DILGER AND RICHARD MCCOY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8

Technical Documentation of Source Code at the Museum Of Modern Art

DEENA ENGEL AND GLENN WHARTON . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10

Digital Video Preservation In Contemporary Art Museums and Small Collections in 2012

PATRICIA FALCÃO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12

Expanding into Shared Spaces at the San Francisco Museum of Modern Art

MARTINA HAIDVOGL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23

The Role of the Technical Narrative for Preserving New Media Art

MARK HELLAR . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30

Conserving Custom Electronic Video Instruments

MONA JIMENEZ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34

Pericles and Presto4u—Two European Funded Projects Progressing Research in the Conservation of Digital Art

PIP LAURENSON . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35

The Legible City—One Artwork, Multiple Embodiments

ARNAUD OBERMANN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36

Wrangling Electricity: Lessons Learned from the Mass Migration of Analog and Digital Media for Preservation and Exhibition

PETER OLEKSIK . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38

Preservation and Restoration of Photographic and Audiovisual Materials After Large-Scale Disasters

FENNA YOLA TYKWER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48

I Know a Guy: Collecting Technical Documentation—Locally

STEVEN VILLEREAL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50

 

 

 

 

 

Papers presented at the Electronic Media Group Session, AIC 42nd Annual Meeting, May 28–31, 2014, San Francisco, California

Rapid Identification of Sticky Shed Syndrome in Magnetic Tape Using ATR-FTIR and Multivariate Statistics

DESIREE ALEXANDER, MADELEINE CASAD, AND DIANNE DIETRICH . . . . . . . . . . . . . . . . . . . . . . . . . . . 54

Sustaining Playback Through Technoarcheology: A VTR Refurbishment Project

MICHAEL ANGELETTI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61

A Roadmap to Preserving Digital Objects

DAWN AVELINE, GLORIA GONZALEZ, AND SIOBHAN HAGAN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63

Establishing Time-Based Media Conservation at the National Galleries of Scotland: Creating More in Times of Less

KIRSTEN DUNNE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71

Xfr Stn: Operating an Open-Door Media Conservation Lab

WALTER FORSBERG AND BEN FINO-RADIN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77

The A/V Artifact Atlas: Creating a Common Language for Audiovisual Errors

HANNAH FROST AND KRISTIN MACDONOUGH . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79

Filling in the Gaps: Finding Your Way to Conscientious Curation and Preservation of Born Digital Collections and Objects

JASON EVANS GROTH . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82

Imaging Digital Media for Preservation with Lammp

MATTHEW MCKINLEY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89

From Infancy to Adolescence: Growing an Electronic Media Conservation Program at the Denver Art Museum

KATE MOOMAW AND SARAH MELCHING . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97

Conservation of Time-Based Media Before Acquisition Or: How I Learned to Stop Worrying and Love HD Video

PETER OLEKSIK . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104

Life After Tape: Collecting Digital Video Art

JOANNA PHILLIPS AND AGATHE JARCZYK . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105

Sustainable Digital Preservation for Audiovisual Content

LINDA TADIC . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107

The California Audiovisual Preservation Project: A Statewide Collaborative Model to Preserve the State’s Documentary Heritage

PAMELA JEAN VADAKAN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109

Museum and University Collaboration in Media Conservation Research

GLENN WHARTON AND DEENA ENGEL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 111