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The Electronic Media Review, Volume 2, 2013

Electronic Media Group

Papers presented at the Electronic Media Group session of the 39th AIC Annual Meeting, Philadelphia, Pennsylvania, 2011, and the 40th AIC Annual Meeting, Albuquerque, New Mexico, 2012.

Jeffrey Warda, Managing Editor

Edited by Briana Feston, Jane Klinger, Sarah Norris, and Jeffrey Warda

 

TABLE OF CONTENTS

Preface . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . vii

Papers presented at the Electronic Media Group Session,

AIC 39th Annual Meeting, May 31–June 1, 2011, Philadelphia, Pennsylvania

Overcoming Obsolescence: The Examination, Documentation, and Preservation of Nam June Paik’s TV Cello

LISA CONTE, CHRISTINE FROHNERT, LISA NELSON, AND JULIA SYBALSKY . . . . . . . . . . . . . . . . . . . . . . . . 1

Risk Assessment as a Tool in the Conservation of Software-Based Artworks

PATRICIA FALCÃO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11

The Tree Decision-Making Model for the Preservation of Technological Equipment

for Time-Based Media Art: A DOCAM Research Tool Outcome

RICHARD GAGNIER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21

Acquisition and Installation of Time-Based Art at The Hirshhorn Museum: Lending Electronic Media

SARA GORDON . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23

Versions, Variations, and Variability: Ethical Considerations and Conservation Options for Computer-Based Art

HANNA BARBARA HÖLLING . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33

Developments at Tate in the Conservation of Artists’ Video as File-Based Data

PIP LAURENSON . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47

Anatomy of the Analog: The Preservation of Frank Theys’s Video Installation

Oratorium for Prepared Video Player and Eight Monitors (1989)

EMANUEL LORRAIN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49

Restoration of Molded Videotapes: Research on Vacuum-Freeze-Drying of Water Damaged Videotapes

AGATHE JARCZYK . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67

Acquisition and Installation of Time-Based Art at The Hirshhorn Museum: Changing Practices

JEFF MARTIN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77

Mass Migration of Archival Video Collections: Open Source Tools for Managing Digitization Projects

DONALD MENNERICH . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79

Collaborative Conservation: Sharing Expertise at The Goodwill Computer Museum

VIRGINIA LUEHRSEN AND KAREN L. PAVELKA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81

 

Papers presented at the Electronic Media Group Session,

AIC 40th Annual Meeting, May 8–11, 2012, Albuquerque, New Mexico.

Moving Pictures: Restoring Roy Lichtenstein’s Foray Into Film

CLARE BELL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87

Rapid Identification of Sticky Shed Syndrome in Magnetic Tape Using ATR-FTIR and Multivariate Statistics

ERIC BREITUNG, SAMANTHA SKELTON, AND STEPHEN MORGAN . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99

Conservation in Collections of Digital Works of Art

BEN FINO-RADIN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 101

Conservation of Historic Cathode Ray Tube-Based Artworks from the 1960s

CHRISTINE FROHNERT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 113

Geeks, Boffins, and Whiz-Kids: The Key Role of the Independent Expert in Time-Based Media Conservation

KATE JENNINGS AND TINA WEIDNER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119

Toward an Ontology of Audio Preservation

SARAH NORRIS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 133

Acts of Non-Conservation: Developing More Effective Means of Communication and Advocacy

Through Metadata

JOSHUA M. RANGER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 135

Fundamentals of the Cathode Ray Tube Based Display and its Maintenance and Conservation

Within Contemporary Artworks

CHI-TIEN LUI AND RAPHAELE SHIRLEY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 137

Capture Software Study for Preservation of Analog Videotape

LAUREN SORENSEN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 143

Fading Out: The End of 35 MM Slide Transparencies

TINA WEIDNER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 157

Guidelines for Authors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 175